Portfolio
Elling (Petter Naess, 2001)
Moromete Family: On the Edge of Time (Stere Gulea, 2018)
Poveri Milionari (Dino Risi, 1959)
Io ricordo. Piazza Fontana (Francesco Miccichè, 2019)
Rolande met de Bles (Roland Verhavert, 1973)
Autsajder (Adam Sikora, 2018)
Slugi Wojny (Mariusz Gawrys, 2019)
Il ragazzo che sorride (Aldo Grimaldi, 1969)
Sharks (Benjamin Eicher, Timo John. Mayer, 2012)
The Prosecutor, the Defender, the Father and His Son (Iglika Trifonova, 2015)
Candlelight in Algeria (George King, 1944)
School of the damned (Peter Vincent, 2019)
Manu (Emmanuelle Bonmariage, 2018)
Mighty Good: The Beatles (Derek Taylor, 1977)
Your Face (Tsai Ming-liang, 2018)
Anders als die Andern (Richard Oswald, 1919)
Aria (Derek Jarman, 1987)
What do men want (1921, Lois Weber)
Coney Island (1917, Buster Keaton)
The Boat (1921, Buster Keaton)
Gestos e fragmentos (1983, Alberto Seixas Santos)
Eega (S. S. Rajamouli, 2012)
Honey, I shrunk the kids (Joe Johnston, 1989)
Visions of Eight, (several filmmakers/varios directores, 1973)
Le Petit Poucet (Marina de Van, 2010)
Victory Day (Sergei Loznitsa, 2018)
This Is Not a Burial, It’s a Resurrection (Lemohang Jeremiah Mosese, 2019)
Tellurian drama (Riar Rizaldi, 2020)
Land and Housing (Kim Gi-seong, 2020)
Victory Day (Liz Garbus, 2021)
All My Puny Sorrows (Michael McGowan, 2021)
Circle of Steel (Gillian Mckercher, 2018)
